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I can’t talk about that yet. But this show is two tiers down from my main work: acting and teaching. I’m doing a course on Zoom right now, which has been better than I anticipated. I like to have the Welcome back to the bayou tyrann mathieu nfl shirt but in fact I love this whole body to work with so I can ask my students, “What the hell are you doing with your right foot?” Yes, and I mean it. NYU said, “Are you sure you want that name?” and I insisted. What the coursework does is just focus on the text. It’s important to listen to the phrasing of a word or the rhythm of a line. Where do you take your breath? What part of the word should you stress? It really is the most fundamental tool of the job. It depends on their background. So much of acting depends on whether or not one can take direction and use it right away. I gave one of my older students an assignment one day, and two days later nothing about his approach had changed. I asked him, “Am I not using the right words? Are you not understanding?” He said, “I understand, I just need more time to incorporate it.” But when you walk into an audition and someone asks you to do something a certain way, you can’t say you’ll be back in two months. All that “call me by my character name” stuff? Fuck it. Isn’t the idea that we’re supposed to find our own unique voice? How can you achieve that by forcibly imitating anyone else? I’ve never understood that. Your job, through school and throughout your life, should be to learn how you work best as an actor. I used to drive Bill Hurt crazy on Body Heat because he couldn’t understand how I was able to flip so easily between my character and real life. Although my daughter and ex-husband have informed me that that hasn’t always been true. They said that I would occasionally come home from a performance of Cat on a Hot Tin Roof or Virginia Woolf and have to be cajoled back to reality: “Alright, mom, come back…” Martha’s anger on top of my own could be too much.
